"Auto", "Automatic", words beginning with "Auto..." and words ending in "...matic" have long been the stock in trade of the camera manufacturers/marketers (closely followed by the use of "Super"). While we may suffer from "auto" overload from time to time, or feel that automation has gone too far today, without the camera companies' obsession with automating the SLR, we would probably all still be shooting with rangefinders and TLRs (twin lens reflexes), or we would be manually flipping our mirrors back down after each shot, "pre-setting" our apertures, re-cocking our shutters manually, developing our film in the bathr...oh...wait...a lot of us still do that ;-). Anyhow, you get the idea. The beauty of vintage SLRs is just about anyone can find a model (ha, just try keeping it to one ;-)) with the level of automation they want. So let's take a trip back to the time when everything auto was new and exciting and was going to change the world...and we'll end up with lots of camera models with "E" in their names.
Automatic SLRs For the People
We have Asahi Optical Company, later named Pentax, to thank for starting the SLR down its long road to the breathtakingly complex DSLRs of today. And all they wanted to do, in 1952, was make the reflex mirror come back down on its own (or automatically :-)) so that the photographer wasn't stuck with a blacked-out viewfinder after taking a picture. As an aside, in 1949-50 there were a few hundred Duflex SLRs produced by the Gamma Works in Hungary with an instant-return mirror, but they were virtually unknown in the outside world. Asahi Opt. Co. was the first to bring it to the mass market. The same held true for the other innovations of the Duflex: automatic aperture and a pentamirror (a pentaprism was used in the prototype) viewfinder that gave an un-reversed, upright image. Other manufacturers would often get the credit for these advances only because they worked in a larger market. And sometimes, innovations occurred nearly simultaneously. There began the slippery slope to seemingly non-stop automation by the Japanese manufacturers. Please keep in mind this will not be an exhaustive list of all innovations, we'll just hit a few of the more pertinent high points along the way:
Next up for the engineers was the task of integrating metering within the camera body and enabling the camera to do so through-the-lens (TTL) at full aperture while coupled to the lens. Up until this point, meters were separate handheld units or clumsily clamped on bits that added bulk and had to be manually coupled to the camera's shutter speed dial. Let's see how the manufacturers got beyond that:
Alright, where were we? Ah, yes, so where would automation strike next? Well, up till now users still had to set both shutter speed and aperture manually for proper exposure. What could be done about that? Well:
Electronics would be the driving force behind the next 40 years of automation and computerization in SLRs. Engineers would use them to advance from shutter and aperture-priority auto-exposure to fully programmed auto-exposure. They would integrate powered film advance and rewind inside SLR bodies, and electronic LED & LCD finder displays. Canon would introduce its EOS (Electro-Optical System) that uses EF (Electro Focus) lenses in 1987. "E" would eventually...power the digital revolution with Super CCDs, Auto ISO & White Balance, and give us camera models such as the Olympus OM-D E-M5 II. Some things never change ;-).
Next time...The Shrinking SLRs of the Seventies
Duflex SLR @ www.pentax-slr.com
Duflex @ camerapedia.com
Canon EX EE @ User Manual @ www.butkus.org
Konica SLRs @ www.buhla.de
Konica Autoreflex T Manual @ www.butkus.org
Minolta SLRs & Auto Rokkor Lenses @ www.rokkorfiles.com
Minolta User Manuals @ www.butkus.org
Nikon Auto Nikkor Lenses - Nikon F User Manual @ www.butkus.org
Asahi/Pentax SLRs & Lenses @ www.pentaxforums.com
Pentax User Manuals @ www.butkus.org
Topcon SLRs & Auto Topcor Lenses - User Manuals @ www.butkus.org
Suffers from an 18-year and counting film and manual focus SLR addiction. Has recently expanded into 1980's AF point and shoots. He even mixes in some digital. Definitely a sick man.